Two tributes to two great films:
alternate movie posters for Jean-Luc Godard’s Masculin féminin
and François Truffaut’s Jules et Jim.
(If anyone knows who made these, or where to get a copy:
please send me a message.)
Two tributes to two great films:
alternate movie posters for Jean-Luc Godard’s Masculin féminin
and François Truffaut’s Jules et Jim.
(If anyone knows who made these, or where to get a copy:
please send me a message.)
Jeanne Moreau on the cover of Sight and Sound (the cinema magazine published by the British Film Institute), 1967. A scene from “The Bride Wore Black” (La Mariée était en noir) directed by François Truffaut.
I’ve just realized Raymond Cauchetier is the photographer responsible for so many of the amazing new wave production photographs that exist… It all started when Cauchetier was introducted to Jean-Luc Godard while Godard was still working at Cahiers du Cinema. Godard eventually hired him to be the production photographer on the set of his first film, Breathless. Cauchetier was never professionally trained, but developed his near-perfect sense of timing while doing some aerial combat photography while in the French Air Force. He was hired as the set photographer for a number of new wave films, creating images as iconic as the films themselves.
Jeanne Moreau in La Mariée était en Noir (The Bride Wore Black), directed by François Truffaut, 1968.
Jean-Pierre Léaud and Frédérique Hoschédé in L’amour en fuite (Love on the Run, 1979). Directed by François Truffaut. The last film of the Antoine Doinel series.
Jean-Pierre Léaud and Claude Jade in Domicile conjugal (Bed and Board), 1970, directed by François Truffaut.
Claude Jade and Jean-Pierre Léaud in Domicile conjugal (Bed and Board), 1970, directed by François Truffaut.